Comment magazine has been posting a series of interviews with authors, artists, and activists–in the spirit of the Paris Review and Sports Illustrated. This includes a photo and commentary on the author/artist’s workspace (akin to the Guardian‘s similar tradition on “Writer’s Rooms“). Today Comment has posted a Q&A with me for those who might be interested. Here’s a peek at my workspace:
I’m not sure when it started, but in most of my books I like to note the “soundtrack” that accompanied their production–what I was listening to while writing in coffee shops and airports and my home office. Each one is a snapshot of a phase of my listening life, as well as a kind of…
The Meeter Center for Calvin Studies asked me to be part of a panel reflecting on the legacy of the Reformation. We were each given five minutes. Here are the notes for my brief contribution: There are lots of features of the Protestant Reformation for which I’m grateful. I see it as an Augustinian renewal…
Translations are a bit like music: you attach yourself to what you encountered in your youth. You reify what emerged when you were coming of age. You canonize what formed you. So if you first encountered Proust through battered paperback versions of Scott Moncrieff, you’ll be disposed to resist Lydia Davis’ masterful new translations. “Accuracy”…
What do people mean when they wring their hands about the fate of “orthodox Christianity” (small-o) today, or when they vent about the treatment of “orthodox Christians” in an increasingly secularized society? A few observations and a couple of questions: Historically, the measure of “orthodox” Christianity has been conciliar; that is, orthodoxy was rooted in,…
It is the first day of summer, at least according to my own personal academic calendar. The college’s commencement was this past Saturday. My official duties have been discharged for the year. Too many writing obligations loom for the summer; so, of course, I’m procrastinating. The piles and piles of books on the floor beside…
No “bests.” No rankings. No claims to objectivity or trendsetting or reports from secret avant-garde gardens of literature. Just some impressions looking back over a year in reading. (You can see a glimpse of some of my reading at GoodReads.) Novels that haunt me: 2016 was a pretty incredible year for fiction. I won’t likely…