Sentimental?

In the midst of grading papers from a Philosophy of Language seminar now past, seeing students wrangle with Wittgenstein, Rorty, and Brandom–with the game-relative nature of meaning, the contexts of our linguistic practice–and looking for any sort of sloth-inducing distraction from this work, somehow Albert Goldbarth’s poem, “Sentimental” came to mind. (Perhaps because the overarching…

Two to Remember in Your Year-End Giving

My guess is that, like me, you’re receiving a barrage of end-of-year solicitations from all sorts of good organizations and ministries who are struggling to continue their good work–particularly in a difficult economic climate. There are many that deserve our support. Let me encourage you to consider just two: The Christian Reformed World Relief Committee…

Still Hope?

In Jay Neugeboren’s review of Beg, Borrow, Steal: A Writer’s Life (Other Press, 2009), which tracks Greenberg’s (relatively late) emergence as a “writer” (in his early fifties), Neugeboren makes the following disclosure, reflecting on Greenberg’s tale: “I found myself noting that I had myself accumulated, by my count, 576 rejections before I sold my first…

“Wendy and Lucy”

Kelly Reichardt’s film, Wendy and Lucy, is a mesmerizing adaptation of Jon Raymond’s story, “Train Choir.” Reichardt well captures Raymond’s Pacific Northwest–a solitary, derelict region, yet populated with quick conversationalists and in-breakings of charity, bringing to mind other Oregon films like One Flew Over the Cuckoo’s Nest, or even The Postman (indeed, Will Patton makes…

We Learn to Love

Comment magazine, one of my favorites, recently ran a poetry contest–more specifically, a rondeau competition. (Those from commonwealth nations will recognize a familiar rondeau in John McCrae’s, “In Flanders Fields.”) The contest invited entries focused on the theme of education for their 4th annual “Making the Most of College” issue. In my tentative poetic scribblings,…